By Leo Lionni
The fascinating tale of a chameleon trying to find his personal colour, who finally ends up discovering a real friend.Elephants are grey. Pigs are purple. in simple terms the chameleon has no colour of his personal. he's crimson just like the heather, yellow like a lemon, even black and orange striped like a tiger! Then someday a chameleon has an idea to stay one colour without end by way of staying at the greenest leaf he can locate. yet within the autumn, the leaf alterations from eco-friendly to yellow to crimson . . . and so does the chameleon. while one other chameleon indicates they commute jointly, he learns that companionship is extra vital than having a colour of his personal. regardless of the place he is going together with his new pal, they'll continually be alike.
A little chameleon is distressed that he doesn't have his personal colour like different animals.
From Barnes & Noble
Author-illustrator Leo Lionni is celebrated for his use of colourful and creative watercolor storybooks. a colour of His personal, now during this handy board ebook, doesn't disappoint. within the actual variety of a grasp storyteller, Lionni offers a truly adorable chameleon with a distressing challenge. irrespective of how tough he attempts, he can't appear to locate his personal colour. He regularly turns out to conform to his atmosphere, by no means maintaining a "signature" coloration. made up our minds to be one colour, he discover a eco-friendly leaf and remains there. yet because the seasons swap, so does the leaf, and so does the chameleon! while he befriends one other chameleon, he realizes they're going to continuously be an analogous colour in the event that they stick jointly. This newfound friendship is way extra significant than something else.
Preschoolers will enjoy the illustrations and fall in love with the lovely chameleon. Lionni makes use of little or no prose during this tale and manages to express this glorious message of affection, friendship, and belonging in a fascinating fashion.
Publishers Weekly - Publisher's Weekly
Lionni's signature watercolors span the rainbow during this tale of a chameleon who, whereas trying to find his id, reveals a pal with whom he can percentage his changeable nature. a long time 3-5. (Sept.)
Of the unique version of a colour of His personal by way of Leo Lionni (1975), PW wrote, "Lionni's signature watercolors span the rainbow during this tale of a chameleon who, whereas looking for his id, reveals a pal with whom he can proportion his changeable nature." Copyright 2006 Reed company Information.
Lionni's uncomplicated story of a disappointed chameleon who ultimately reveals happiness is as fascinating now because it used to be whilst first released in 1975. We meet the golf green parrot, the purple goldfish, the grey elephant, and the purple pig; "All animals have a colour in their personal, aside from chameleons." Chameleons switch colour looking on the place they're. The chameleon during this tale hopes to discover a colour of his personal, however the leaf he's on turns yellow and purple and falls off the tree, leaving the chameleon black "in the lengthy iciness night." while he meets one other chameleon within the spring who will remain by means of his aspect and alter colour with him, he can ultimately reside "happily ever after." Watercolors on ready papers are used to chop the easiest of shapes caught on white pages. a powerful distinction is made with the darkish pink history for wintry weather and the pointy eco-friendly blades of grass for spring. The spare textual content deals classes on colour, on chameleons, and on friendship. 2003 (orig. 1975), Alfred A. Knopf/Random condominium Children's Books, and a while three to 6.
—Ken Marantz and Sylvia Marantz
From the Publisher
"Lionni's signature watercolors span the rainbow during this tale of a chameleon who, whereas trying to find his identification, unearths a pal with whom he can proportion his changeable nature." —Publishers Weekly
"As desirable now because it was once whilst first released in 1975." —Children's Literature
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Additional info for A Color of His Own
The performers of Text 1 were not consciously imitating African models, but they independently arrived at, for instance, the same sort of hero tale as the Kimbundu (Angola) tale of Sudika-Mambi, which had been published by Héli Chatelain long before those debates. Sudika-Mambi (Thunderbolt) speaks from his mother’s womb, is born with his weapons in his hand, undergoes many adventures in quest for a wife, dies and is resuscitated, and quarrels with his brother. Both Sudika-Mambi and Ibonia are heroic tales, 46 How to Read a Folktale: The Ibonia Epic from Madagascar with enough panegyric to expand them into epic.
Just as they adapted rice cultivation to a new landscape, so they adapted ancient mythology to reflect new cultural emphases. Other folk heroes in Madagascar are part of Ibonia’s cultural context. Heroes cognate to Ibonia, who are abnormal “in excess or transgression” (Ottino “Mythology of the Highlands” 964), or who are strong, weak, or deformed, all coexist with him in the Malagasy repertoire. Our hero is one extreme of a range that includes tricksters, clever lads skillful in riddling, and a challenger rather like the Greek Prometheus.
Ibonia, in Text 1, resembles many a mythic hero in that he solves two problems. He prescribes laws; hence he is a “donative” hero, one who gives a necessary something to his people. He is also a “purgative” hero, because he rids his people of an awful threat (like the curse hanging over Thebes, in Sophocles’s play of Oedipus). Ibonia rescues victims from the belly of an allswallowing monster. 6) from Africa. With this episode, Ibonia can demonstrate his valor; with the successful combat, Tsimamangafalahy avenges his father’s death by slaying the son of his father’s murderer.